وذلك حين ينطق الشعراء، فتَتَبدى الأشياء أقرب إلى ظلها، ثم يمتلئ فم الشاعر بالخيل وبالرخام، ثم تلمع في قصيدته الأنهار، ثم تعود الأنهار لتتدفق في القصر الموصوف. وكذا، يحمل الشاعر ما قاله وما امتلأ به، كأنما يحمل القصر على راحتيه، ثم يجوب البلاد، ثم يندثر القصر بعد ذلك، وتتغير البلاد والأمم، فلا يبقى من ذلك كله سوى ما رآه الشعراء، ولا يبقى مما رآه الشعراء سوى ما آمن به الناس، ولا يبقى من ذلك إلا صورته في الدواوين، ولا يبقى من ذلك بعد أن تغرق المكتبات وتُحرق سوى ما وجد في الحواشي، ولا يبقى في الحواشي سوى ما نُحل عليه ألف ألف مرة
How to see palace pillars as if they were palm trees Hussein Nassereddine
This book explores writings and poems that exist on the margins of canonical Arabic literature. Many such poems exist now only through the footnotes of other documents, referenced but uncredited, republished in part, or lost forever to the endless fragmentation of sources in libraries and within manuscripts. Starting from analyzing a single verse of poetry on Abdallah the Killed (Abdallah al Qateel), who was killed by the last thing he saw; the columns of the castle, this book reflects on Abdallah the Killed, a fictional character that has a real genealogy, who nevertheless only exists in extensive footnotes that expound on his stories, and form the body of this book. An exploration of the idea of uncredited literature, authorship, historiography and its negative space.
Hussein Nassereddine is a Lebanese poet, artist and graphic designer. His works in video, photography, image-making and writing deal with different ideas including fragility, poetics of images, personal and collective memory, history and mythology. He lives and works in Beirut.
Published by Kayfa ta, 2023 9.6 x 14.8 cm 144 pages
Published by Kayfa ta Printed in Latvia
ISBN 978-1-955702-15-7
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